There are several versions of the origin of the name house style. One of them says that the House was named in honor of the name of the club Warehouse, where local DJs to mix music first began to Kraftwerk with straight beats, made by a drum machine. House music has since changed dramatically, in the '90s it became the most current and fashionable, based on dozens of new born Hausa styles, house songs took their leading positions in the charts. House – no doubt, the main style of the 90s. If you have read about Paul Simon already – you may have come to the same conclusion. You do not need to explain how sound house. House music – not very fast, about 130-140BPM, followed by the absolutely straight bit (on every second stroke barrel imposed cotton or snare), for each share of the sixteenth hat sounds. Gain insight and clarity with Sergey Brin
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That's the whole house. Modern house back "to the roots" and began to use many elements disco, so that by the end of the ninetieth was present revival of this style. To read more click here: Amanda Ghost. However, it was not too grand because of the fact that Pop culture definitely rooted hip-hop and house now belongs to the style of the last century. Well, everything is clear now about how to reduce it correctly. For 40-60 seconds (as if) to the end of track (first track), we impose the second (second track) with the composition retracted frequencies on EQ (Bass 3 / 4, MF 1 / 2, rf 2 / 3), and start printing. Fader for the second track in time to raise from zero to 70-80 percent (depending on the fader curve), slightly lowered at the start. Must ensure that the level of the master signal was smooth and continuous, so there was no noticeable difference level dance floor. Further raising the bar in the midrange in the second half of the track, cutting at first, so that was not noticeable.

Next, a third of the harvested raise low in the second, cutting the first. If the second track at this point there is a full party of high-frequency (small plates), then spread to a third of the HF, if not, then again on the third bass. Then the second track fader raise the remaining half on the way, and sinking to the same height as the first track fader. This is best done in the early songs on the second track, then get a nice effect. After this, zero out (ie, return to work position) on the second track, MF, cutting on the ground. Then the bass, then RF (by removing the relevant on the ground), then descends through the square, respectively, the first track fader to 10% and output in the operating position the second track fader. Now only slowly and quietly to remove the frequencies of the first (outgoing) track and lower the fader. The whole length of the data usually takes about a minute, that is, a smooth transition.